poetry books Archives

Posted on March 19, 2024March 19, 2024 by kpdavis

Appalachian Studies Conference

Our Madville poets did a fabulous job of representing us at the 47th Annual Appalachian Studies Conference

The theme was, Beloved Community: Pride in Identity, Culture, and Geography, and the conference took place March 7-9, 2024, at Western Carolina University, in Cullowhee, North Carolina. The Madville poets in attendance were Jim Minick (The Intimacy of Spoons), Linda Parsons (Valediction), Darnell Arnoult (Incantations), Pauletta Hansel (Heartbreak Tree), Susan O’Dell Underwood(Genesis Road and Splinter), and Lisa J. Parker (The Parting Glass and This Gone Place). (Dana Wildsmith (With Access to Tools) couldn’t make it.)

This is the first year we’ve attended this conference, but our poet, Jim Minick had this great idea… After all, we have so many wonderful poets from the region, It makes sense for us to participate in regional conferences. And look how happy they all are!

Madville poets, Lisa J. Parker and Pauletta Hansel manning the Madville table at the Appalachian Studies Conference

Madville Publishing poetry editor, Linda Parsons with another friend in poetry.

Madville poets Darnell Arnoult and Linda Parsons with a young poetry lover.

Madville poet, Jim Minick, reading from his new collection.

Copies of Linda Parsons' books on the Madville table at the Appalachian Studies Conference. The book has a bright pink cover and the title is Valediction. Linda has two other books from other press on the table as well, Candescence, and This Shaky Earth

copies of Jim Minick's new book, The Intimacy of Spoons on the table to tempt poetry lovers to buy it.

The wonderful Pauletta Hansel grinning big. She's dressed all in red (she always is!)

Kari Gunter-Seymore with Linda Parsons. Both are white women with very light blond hair and glasses, and they have happy grins.

Posted on February 22, 2024March 21, 2024 by kpdavis

2023 Arthur Smith Poetry Prize Winners

We received 74 total submissions. The first round was read by Joshua Robbins and Darius Stewart. Winners were chosen from a shortlist of amazing work by final judge, Marilyn Kallet, Knoxville Poet Laureate from June 27th, 2018-July 2020. For more information about the contest and the judges, visit The Arthur Smith Poetry Prize Submission Page.

Winner

Amanda Chimera, by Mary B Moore

Mary B. Moore’s five poetry books include Dear If, Orison Books 2022; Flicker, Dogfish Head Prize 2016; The Book Of Snow, Cleveland State U Poetry Center 1998; the prize-winning chapbooks are Amanda and the Man Soul 2017, and Eating the Light 2016.

Mary’s poems appear lately in Birmingham Poetry Review (BPR), Poetry, Prairie Schooner, NELLE, Nimrod, Gettysburg Review, Terrain, and more. She has won Birmingham Review’s Collins Prize and NELLE’s Three Sisters Award, and she won second place in Nimrod’s 2017 Pablo Neruda Award, and third in Terrain’s awards.

Runner Up

Incidental Pollen, by Ellen Austin-Li

Ellen Austin-Li’s work appears in Artemis, Thimble Literary Magazine, The Maine Review, Salamander, Lily Poetry Review, Rust + Moth, and many other places. Finishing Line Press published her chapbooks—Firefly (2019) & Lockdown: Scenes From Early in the Pandemic (2021).

Ellen is a Best of the Net nominee. A Martin B. Bernstein Fellowship recipient, she earned an MFA in Poetry at the Solstice Low-Residency Program. Ellen co-founded the monthly reading series, “Poetry Night at Sitwell’s,” in Cincinnati, where she lives with her husband in a newly empty nest. You can find her at www.ellenaustinli.me.

Honorable Mention

Red Camaro, by Dwaine Rieves

Thanks much for reading and considering Red Camaro…very kind…all best.

Dwaine Rieves is a medical imaging scientist in Washington, DC. His collection, When the Eye Forms, won the Tupelo Press Prize for Poetry.

Short List

Four Junes, by Sara Dudo
The Ugliest Girl in Columbiana County, by Elizabeth Tussey
Kentucky Pathways, by David Cazden
Everywhere, Everywhere, by Jeffrey Bean
A Legacy of Birds, by Sharon Ackerman

Previous Winners

2022

The winner: a poem is a house, linda ravenswood

a poem is a house pushes against the borders of poetry to emphasize how all borders are a construct: geopolitical, literary, and personal. Each poem in this outstanding collection reinvents itself, employing a range of forms, such as visual poems and broken poetry cycles, to recreate vivid details of the speaker’s experiences as someone who grew up in California with Mexican ancestry. Readers experience a state of bardo,
a sense of existing between states: between different cultures, between safety and violence, and perhaps most of all, between past and present. Like memory itself, these poems thrive on elision, repetition, and reversal. a poem is a house is a dazzling accomplishment that presents a new and unique poetic vision. —Charlotte Pence, final judge for the 2022 Arthur Smith Poetry Prize, and author of Code

The runner-up: Tasting Flight: Poems by Yiskah Rosenfeld

A yearning dominates the vibrant poems in Tasting Flight, specifically the desire to be enough. Of course, though, one is always enough. The observant, insightful, and confident speaker in these poems knows this truth intellectually but searches to
internalize such knowledge. All of the poems are deeply rooted in the lyrical tradition, following the switchbacks and curves of a mind always in motion, perhaps contemplating the beauty of moths at night or the intricacies of raising a child. Whatever the subject, Tasting Flightis a book that sings back to the exploding
stars. —Charlotte Pence, author of Code and judge for the 2022 Arthur Smith Prize

2021

The winner: The Parting Glass: Poems by Lisa J. Parker

The Parting Glass, like the old Irish song, is a toast to the places and people who make up the author’s roots and base. However Appalachian at its root, it tells a universal story about what grounds and keeps us, even as we move in cities and circles far from home. At its core, this book brings the thread of downhome with its voices and song, to the cities and cultures the author moves through. The poems raise a glass to those still at the table and to those already gone, to homecomings and deployments, to the navigation of love and grief.

The Parting Glass: Poems by Lisa J. Parker front cover is a photograph of a snowy landscape across a plane to a horizontal line of trees beneath a bright blue sky. One set of footprints leads to the trees.

Splinter, poems by Susan O'Dell Underwood. Weathered yellow board with red lettering for title.

The runner-up: Splinter by Susan O’Dell Underwood

Posted on October 13, 2023October 13, 2023 by kpdavis

Southern Festival of Books 2023

Map for the 2023 Southern Festival of Books in Nashville, Tennessee

We will be attending the S outhern Festival of Books in 2023 It is in Nashville again this year, and we loved it so much last year, we can’t wait to get back. We look forward to seeing so many friends, especially, our wonderful Linda Parsons has a book that we published featured, Valediction. She’ll be there with us at booth number 27. Come see us there!

This will be the 35th annual Southern Festival of Books–among the oldest literary festivals in the country. It is free to attend with performance stages, food trucks, publishers and booksellers. (We’ll be at booth #27.)

Festival weekend (Oct. 21 and 22) takes place in downtown Nashville. The Festival grounds include Bicentennial Mall State Park, the Tennessee State Museum, and the Tennessee State Library and Archives. Read more at their website: https://sofestofbooks.org/schedule

At the sponsors dinner during the Southern Festival of books 2022. At back are Linda Parsons and Pauletta Hansel, and seated are Susan O'Dell Underwood, Kim Davis, and Jeff Hardin. All are glowing.

Posted on October 12, 2023October 13, 2023 by Kimberly Davis

Fantastic Imaginary Creatures

An Anthology of Contemporary Prose Poems edited by Gerry LaFemina

2023 Acceptances Announced

Anthology publication planned for Spring 2024.

This is the call Gerry LaFemina put out for this anthology:

The prose poem is the literary sphinx, the literary chimera, minotaur, gryphon–part one thing, part another and at their best, they’re magical, mythical. Fantastic Imaginary Creatures seeks to collect the best contemporary prose poems that demonstrate the potentiality and plasticity the form allows, previously published or brand spanking new. We’re not looking for short short stories, but rather work that explores the liminal space between story and lyric, the luminous spark of possibility in the form.

And of the many fine poets who answered Gerry’s call, these are the poets and the poems Gerry selected:

Valerie Bacharach	“Momento Mori”
Ujjvala Bagal-Rahn	“Just Enough House”
Ned Balbo	“O Christmas Tree,” and “That Which We Discard We Also Cherish”
Madeleine Barnes	“Key Rock,” and “Self Portrait in My Mother’s Closing Lines”
Michelle Boczek Evory	“Absolution,” and “Dislocation”
Rick Campbell	“Parable of the Forest Pygmy,” and “Forgetting the Nicene Creed”
Joseph Capista	“Room for Error,” “Myth,” and “Song”
Gary Ciocco	“Being and Becoming”
TS Coody	“Mimesis”
Jim Daniels	“With Apologies to the Tom Tom Club,” and “At Last”
Anthony DiMatteo	“Every Time”
gary fincke	“The Hands”
Jeff Friedman	“Giver of Gifts,” “Terrorists,” and “Lost Memory”
Molly Fuller	“Home Again, Home Again,” and “Tale of the Flopsy Bunny”
Joy Gaines-Friedler	“Daffodils,” “Act 20:14,” “Traveling with the Band,” and “The Children’s Ward”
George Guida	“Trip Wire,” and “The story of a Life”
Luke Hankins	“A Voice out of the Ruins”
Gretchen Heyer	“Pasiphae Answers Questions,” “Missionaries Breakfasted on the Word of God,” and “Jute, Two Inches in Diameter”
Tom Hunley	“My Chili Recipe (An Ars Poetica)” and “Questions for Further Study”
Anna Jacobson	“This is to That”
Peter Johnson	“Vaccination, in the Broadest Sense of the Term,” “Crickets,” and “Nice Socks”
Richard Jordan	“Jesus in the Café,” “With Feathers,” and “Mackerel Day”
Elizabeth Kerlikowske	“At 45th Parallel, Halfway Between the Equator and the North Pole,” and “Tabula Rasa”
Nina Kossman	“Kharkiv”
Gerry LaFemina	“Fantastic Imaginary Creatures,” “Happy Pigs,” and “Bad Medicine”
Joseph Lerner	“The Black Egret”
Geri Lipschultz	“Aphrodite in Manhattan”
Lorette C. Luzajic	“Feathers,” and “January River”
Gary McDowell	“Prose Poem on the Nature of Things; or, Armchair Philosophy,” and “Another Apocalypse”
Kathleen McGookey	“Night Sky with Calculus Worksheet”
Jennifer Militello	“Identifying the Pathogen,” “Dear B,” and “Antidote with Attempts at Diagnosis”
Robert Miltner	“Wolf Dancing,” and “Hopeless”
Erin Murphy	“Ekphrasis,” “Gerunding,” and “Hula Dancer”
kerry neville	“Decade”
Robert Perchan	“The Unselfish Elfins with their Trusty Hammers,” “At Home with Marlboro Jones,” and “The Orgun Box Junkies”
Christine Rhein	“Drone Pilot,” and “Sunday Night Retail”
Jane Satterfield	“Latin 121,” and “Abbreviated Inventory”
Katherine Smith	“Crossword,” and “Quilt”
Joshua Michael Stewart	“Yellow,” and “Book of Love”
Virgil Suárez	“Chinese Weather Balloon”
Matthew Thorburn	“A Hundred Birds,” and “How it Starts”
Eric Torgersen	“My Blindness”
Patricia Valdata	“Mayfly”
Doug Van Gundy	“Sideshow, Barbour County Fairgrounds, 1975,” and “To Join the Circus”
Elinor Ann Walker	“Object Impermanence,” and “Fugue State”
Greg Watson	“Why I Live in a Cold Climate”
Cathy Wittmeyer	“Max Beckmann, Still Life with Fallen Candles, oil on canvas, 1929,” and “Otto Dix, Horse Cadaver, etching & drypoint, 1924”
George Yatchisin	“Leap Year”
Michael T. Young	“Quoting Blake to Mother,” and “Sweaty Palms”

About the editor, Gerry LaFemina

Gerry LaFemina’s flash creative nonfiction essay collection, The Pursuit: A Meditation on Happiness, came out in 2022. His poetry collections include Baby Steps in Doomsday Prepping, The Story of Ash and Little Heretic. His essays on prosody, Palpable Magic, came out in 2015 and Kendall Hunt recently released his textbook, Composing Poetry: A Guide to Writing Poems and Thinking Lyrically.