We’ve made our nominations for the Pushcart Prize 2020. We wish we could nominate something from every single book we published this year, because we believe all of our authors are winners or we wouldn’t have published them in the first place, but the Pushcart committee limits us to six nominations per year. And every year that means we’ve had to leave six authors out. (We publish 12 titles per year on average)
We at Madville Publishing are pleased to nominate the following for your consideration for the 2020 Pushcart Prize:
“The Last Ride, 1928” by Brian Petkash from his short story collection, Mistakes by the Lake. (May, 2020).
Congratulations everybody! Thank you for providing such high quality work for us, that we want to include it as one of our Pushcart Prize Nominations for 2020. And thank you for all you do to promote Madville Publishing.
We are proud to announce that we asked Linda Parsons if she’d consider being our Poetry Editor, and she said yes!
Linda Parsons is a poet, playwright, and editor. In addition to being poetry editor for Madville Publishing, she coordinates WordStream, WDVX-FM’s weekly reading/performance series, with Stellasue Lee. Her poetry has appeared in The Georgia Review, Iowa Review, Prairie Schooner, Southern Poetry Review, The Chattahoochee Review, Baltimore Review, and Shenandoah, among others. Candescent is her fifth poetry collection (Iris Press, 2019). Linda is the reviews editor for Pine Mountain Sand & Gravel and the copy editor for Chapter 16, the literary website of Humanities Tennessee. Her most recent play is SuffRAGE: To Give Voice, written with Jeannette Brown, for Flying Anvil Theatre in Knoxville, Tennessee.
We will have a bunch of new titles on hand at AWP20 in San Antonio!
It’s our home state, so we decided we had better make a good showing. That is why we pushed out everything we had for Spring 2020, as well as a couple of books we’ve been perfecting. These new offerings cover the full spectrum of what we publish, including poetry, fiction, and nonfiction. (Of course you can see them all to buy or pre-order on our website at MadvillePublishing.com
We’ll be offering all of our books at discount prices at #AWP20. Come by our booth, #1658.
The Virgin Mary long ago transcended her religious origins to become an instantly recognizable icon. From pop art to pop music, Mary’s status as the Mother of God continues to inspire the faithful and the secular. A statue of Mary weeping blood or appearing in a piece of toast still has the power to make front page news and bring the devoted running with candles and eBay bids. In “Mother Mary Comes To Me,” poets will explore the intersection of the sacred and the larger than life persona that Mary has become throughout the ages and how she still holds sway in the 21st century as a figure to be praised, feared and mined for pathos and humor.
Submit 1 to 3 poems on the anthology’s theme along with a 100 word bio in a Microsoft Word document by January 1, 2020 to firstname.lastname@example.org. Poems may be previously published, but you must have permission to republish the work and please acknowledge the originating publication. Poets selected for the anthology will receive one free copy.
Congratulations, Gianna Russo on a successful book launch!
It was a huge success, and we couldn’t be happier for her. Last night, she officially launched her One House Down. There were about 100 people there and they gave her a standing ovation, an encore call, and then bought every single book!
She read at the beautiful University of Tampa, where we well be attending the Other Words Conference with her in just a few short weeks. It was the perfect venue for this collection of poetry focusing on Tampa, and Gianna is the perfect person to tell the stories of this, her hometown.
So, again we say, congratulations, Gianna Russo! You deserve it.
Here are just a few of the comments from early readers:
“…happiness is a snow globe, our house glued inside…: This is what I feel when reading One House Down, this fantasy in verse, this beauty contained in sprawling lines and stanzas. Each poem, a song. Each song, a swoon. Russo’s newest collection is both a love song and an indictment of a place she knows so well, a Florida without palms and sun, a Florida that is grit, a Florida that represents our world-one which breaks the heart and heals it in the same beat.
—Ira Sukrungruang, author of In Thailand It Is Night
One House Down is filled with story-poems from the unsung American South, where natural beauty butts up against strip malls and human ugliness. Tracing her family’s history in Tampa, a city many readers will be surprised to visit, Russo documents with terrific detail a diverse and fascinating culture in this original exploration of a very particular place.
—Heather Sellers, author of You Don’t Look Like Anyone I Know: a True Story of Family, Face-Blindness and Forgiveness
Get ready. You’ve read the tour-de-force of an opening sentence, a poem hurdling you into the world of One House Down. Now watch Gianna Russo illuminate histories so electric and elegiac, and shadows of shame so persistent, they’re writ in our bones. Yes, this is a book very much about place; but, more importantly, this wonderful collection examines the emotional spaces we occupy as we strive for satisfaction, safety, and meaning. As Russo writes, “Flash at sunset like the luck I never spied.”
—Erica Dawson, author of When Rap Spoke Straight to God
From front porches to the places where we live, work, and love, to the highways that lead us both out of the city and back home again, One House Down takes us on a precise and lovingly rendered tour of the rhythms, movements, and loves of a city and its people. Gianna Russo’s poems, expansive yet intimate, make a case that perhaps poetry, rather than the evening news, is the true first draft of our collective history.
—Steve Kistulentz, author of Panorama and Little Black Daydream
When it comes to one’s place of origin, the tides are strong—the pull to hold on, and the push to let go. In this luminous, thoughtful collection, Gianna Russo explores the bittersweet legacies of old Florida. One House Down is rooted rooted deeply in place, whether Nebraska Avenue and Central Avenue, cultural seats such as the Fun-Lan Drive-In and the Sanwa market, or the ripe specificity of “Faedo’s Bakery [as] men roll loaves / of Cuban bread, turnovers of guava paste.” I appreciate Russo’s musicality and her formal agility, as she experiments with ekphrasis, ghazal, pantoum, and pecha kucha. Whether the stubborn advice of the Methodist Women’s Society Cookbook, or the dark chuckle of a plaster cat on a funeral home’s roof, these are poems we need.