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George Drew Poem for Brian Petkash

Author Brian Petkash signing books at AWP 2020

To fully appreciate this poem by George Drew for Brian Petkash, you may want to read Brian Petkash’s short story collection, Mistakes by the Lake. (Our authors find inspiration in each others’ work. That’s kind of cool, we think.)


Mistakes at the Table

                                  How now, Sir John?

(Again, for Brian Petkash)
 
First: I’m sitting at the table.
 
Second: I’m sitting at the table trying to think,
              but thoughts keep flitting away,
              like butterflies on fire turning to ashes.
 
Third: The butterflies are real. Or aren’t they?
 
Fourth: I’m eating at the table, crumbs
             littering the placemat dispossessed
             of any value, clumps of empty calories.
 
Fifth: I’m watching on the table ants crisscross
          its width and length like trolley cars        
          transporting crumbs on their last ride.
 
Sixth: The ants aren’t real. Or are they?
 
Seventh: I’m leaning on the table drinking coffee,
               and when I knock it over, it spills,
               turning the tablecloth’s pink purity muddy.
 
Eighth: I’m twitching at the table as the coffee
             spreads over the tablecloth
             like floodwater over a street, a yard, a field.
 
Ninth: I’m marking at the table how a lamp’s circle
           of light shimmers like a moon,
           fading outward into shade, shade into dark.
 
Tenth: I’m still sitting at the table.
 
                                                                 ---George Drew

George Drew is the author of eight poetry collections, with Pastoral Habits: New and Selected PoemsDown & Dirty and The View From Jackass Hill, winner of the 2010 X.J. Kennedy Poetry Prize, all from Texas Review Press. His eighth, Fancy’s Orphan, appeared in 2017 with Tiger Bark Press. Drumming Armageddon is his ninth collection. Recently George won the Knightville Poetry Contest, The New Guard, his poem appearing in the 2017 edition, and two other poems as Honorable Mention in the Steve Kowit Poetry Contest, appeared in the 2018 and 2019 San Diego Poetry Anthology. He was a recipient of the Bucks County Muse Award in 2016 for contributions to the Bucks County PA literary community. Recently, one of his poems from Fancy’s Orphan appeared in Verse Daily. George’s biography will appear in Mississippi Poets: A Literary Guide, University of Mississippi Press, edited by Catherine Savage Brosman.


Mistakes by the Lake cover

Mistakes by the Lake

by Brian Petkash

Set in Cleveland, Ohio, from its earliest beginnings as a forested frontier to the urban blight of modern times, Mistakes by the Lake is a collection of ten thematically-linked stories spanning the many faces of the city’s history: A motorman navigates his 1920’s back-and-forth trolley until he snaps; A stockyards knocker encounters the Virgin Mary during the 1954 World Series; A wannabe wrestles his unruly mind along the flammable 1960’s Cuyahoga River; In a reinvention of Henry IV, a young man must either stick with his bumbling criminal crew or uncover legit ways to support his mother and transgender Gramps.

978-1-948692-32-8 paper 19.95
978-1-948692-33-5 ebook 9.99
5½x8½ , 204 pp.
Short Fiction
May 2020
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Madville Welcomes Linda Parsons as Poetry Editor

A photo of poetry editor Linda Parsons.

We are proud to announce that we asked Linda Parsons if she’d consider being our Poetry Editor, and she said yes!

You may be interested to read Linda’s latest poetry collection, Candescent.

Linda Parsons is a poet, playwright, and editor. In addition to being poetry editor for Madville Publishing, she coordinates WordStream, WDVX-FM’s weekly reading/performance series, with Stellasue Lee. Her poetry has appeared in The Georgia ReviewIowa ReviewPrairie SchoonerSouthern Poetry Review, The Chattahoochee Review, Baltimore Review, and Shenandoah, among others. Candescent is her fifth poetry collection (Iris Press, 2019). Linda is the reviews editor for Pine Mountain Sand & Gravel and the copy editor for Chapter 16, the literary website of Humanities Tennessee. Her most recent play is SuffRAGE: To Give Voice, written with Jeannette Brown, for Flying Anvil Theatre in Knoxville, Tennessee.

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Puffery: Why Am I Doing This?

Poet George Drew at MVSU

Puffery? you ask. We asked our friend George Drew to give our website visitors some insight into the book promotion process, and being a poet, he responded in poetic fashion…

That many of you might, in the heat of compositional battle, ask, Why am I doing this? I’ve no doubt. And after having won the war and you have your brave new book in hand, what then? How do you get the world to pay attention? Well, you send out emails to all your contacts, you take out advertisements, you get your baby reviewed, you do radio or tv spots, if you’re so lucky, and of course you go forth bravely and do readings, whether you like doing them or not. And in the midst of all that labor, you ask again, and again, Why am I doing this?

Certainly it isn’t for fame and fortune: We all know how fleet of foot those are. Why then indeed? Perhaps the reason is more basic than you generally take time to think. Perhaps it is because…

OF PUFFERY

Once I saw a book entitled Just What the World Needs: Another Freshman English Text, or something to that effect. I easily can imagine someone reacting likewise to this book:

“Oh, dear, another book of literary puffery!” Why, then, risk it? I’m not an essayist of any note—no Lewis Thomas, Loren Eiseley, E.B. White. I know I’m not precisely because I know and love the work of these and others of their pedigree so avidly. They’re full bred; I’m mixed, which has its benefits. Whereas I can’t aspire to their elegance of style and thought, I can to a tenacity that’s mine and owes no allegiance to any but my own gut feeling, genes and mental grasp. Why this book? The work exists, that’s why. It’s mine, and I wish to let you in on it. And that’s as close to noble as I get. The rest is skin and blood and bone: I’m damned tired of first having to locate and then lug around in a bulky black binder all these pieces when I want to read them to an audience, as I sometimes do. A single slim—and I do mean slim—volume is much less strenuous, thank you. It’s really that simple. Still, since it also will exist,

I hope you find some pleasure in this book. If so, that’s good; if not, who knows? There might one day be just what the world needs: a Puffery II.

Drumming Armageddon, poetry by George Drew

Guest Post by George Drew author of Drumming Armageddon

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Dress Code for AWP20 in San Antonio

AWP20 ad with Madville/Kestrel events

What should you wear to AWP20 in San Antonio this year?

For those who do not know, AWP is the Association of Writers & Writing Programs, and their annual conference is coming up:

#AWP20 Conference and Bookfair

San Antonio, TX
Henry B. González Convention Center
March 4–7, 2020

Key Dates

Materials to View/Download

Social Networking

[I wrote the following observations following #AWP17 in Tampa, though it feels like I started writing them at #AWP16 in Washington DC. I hope my attempt at sarcasm offends everyone equally, but no one gravely!-KD]

I’ve just attended the 2017 Association of Writing Programs (AWP) conference with some 13,000 students and faculty from writing programs and universities around the United States in attendance. I sat among representatives of small presses in the cavernous hall that housed the book market. Everyone was trying to attract students to their writing programs, authors to their submission pages, and buyers to their books. Meanwhile, a profusion of recent MFA and PhD grads schmoozed and congratulated one another comparing notes about the dismal state of the academic job market and reminiscing about grad school. Many had job interviews in hotel rooms scheduled around the trendy off-site readings and parties, though with the advent of the Skype interview, the formerly nerve-wracking AWP interview is not now the right of passage it once was. Still, the young guns found their old friends and discussed who had landed increasingly rare tenure-track jobs and who was still on the market and spending hard-earned adjunct wages to be there. They compared the climates of their respective universities—politically and meteorologically. They drank too much and slept too little, while seasoned faculty members chaperoned grad students—the target consumer group for the massive book fair and the audience for the panel discussions and readings in and around the conference.

I sat behind a crenellated battlement of books I couldn’t even give away and watched people stream past for all three days of the conference. White male Boomer-aged professors wore sports coats and jeans, grey pony tails and earrings the fashion accessories of choice. The African American tenured men favored bright silks and glistening shaved heads. All wore “cool” more comfortably than their female counterparts, who, apart from the tastefully professional African American women, appeared to be either crones or mutton-dressed-as-lamb. Since I fall on that spectrum myself, I feel qualified to comment. The crones gossiped a little too loudly, hair in awkward tufts, mascara smudged, while the mutton-dressed-as-lamb draped chic, risqué clothing over skeletal frames a little too casually, their entourage of graduate assistants shielding them from direct light.

The newly tenured wore uniforms of respectability, tattoos covered. Button-down shirts and sweater vests for the men and blouses over cigarette-skirts for the women with stockings and sensible pumps. The millenials dressed in predictable gender-blended variations, hairstyles their most obvious concession to fashion. Extravagant undercuts and outlandish color declaring their lifestyle choices. Students showed facial-jewelry, body art, and outlandish clothes, while professors favored short buzz-cuts.

And there were poets everywhere. At off-site readings, I listened to angst-ridden verses about sex—childhood abuse, and low self-esteem. Young poets marveled that anyone would have them and ended in despair. Old poets read about their mortality, exploring the seasons through metaphor inevitably resigning themselves to the inevitable. Veterans read in the staccato rhythm of gunfire ending abruptly. Despite the repetitive themes, the abundance of creative writing programs has brought about a renaissance in poetry, but knowing how difficult it is to sell poetry, I expressed my dismay at this situation to Michael Gills—a seasoned fiction writer and professor in jeans and cowboy boots. He set me straight explaining that, in his view, all these programs obviously turned out far more writers than we need, but each of those new writers is also a voracious reader. It’s a kind of writerly-readerly circle jerk.

At the end of the day, when selecting what to pack for AWP20 in San Antonio March 4-8, remember who the audience will be. And remember what you are there for. If you want to sell books, dress like someone who belongs on a university campus. “Business casual” is always safe, but if something more casual is appropriate for your audience, then wear that. Be yourself.

What will the weather be like?

We can guarantee that the weather in San Antonio, Texas, is warmer than where you come from. But it will be early march. You shouldn’t need more than one of the following: a light jacket, blazer, hoodie, or cardigan. Bring light weight clothes you can layer. We predict that we’ll all start shedding layers by lunchtime.

Generally in March, San Antonio maintains an average daily high temperature between 71 and 76 degrees Fahrenheit (21 to 25 degrees Celsius), while the average low temperature ranges between 48 and 54 °F (9 to 12 °C). 56% average humidity. San Antonio tends to get about nine days of rain most years during the month of March. Be sure to have a look at the forcast a few days ahead of your departure for San Antonio.

Where can you find Madville Publishing at #AWP20?

We’ll be in the Bookfair in San Antonio this year, at booth number 1658 alongside our friends at Kestrel Journal of Literature and Art.

A close up of the AWP 2020 book fair map showing Madville's booth #1658 in Sponsors Row