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Help Appalachia

the sun rises over the mountains and clouds

Returning from Appalachia ahead of Hurricane Helene

As I begin to recover from the COVID I brought home with me from my three week trip to Appalachia, I’m finding it hard to discuss all the fun we just had there. I left Asheville last Sunday, September 22, 2024. The weather was fine. I had a near perfect three-day drive home. I got back home Tuesday evening. The storm hit Thursday/Friday. And just like that, those beautiful places I just got to know were devastated. I’m still reeling as I see people’s homes floating down rivers that weren’t there the day before.

I took a lot of sunrise, sunset, and high elevation photos, because for a few days, I stayed in downtown hotels in both Knoxville, Tennessee, and Asheville, North Carolina, which allowed me a birds eye view. I found myself leaping up at all hours to rip the curtains back, ready for some fabulous view. It was my first trip to the Great Smokey Mountains, and I loved every minute of it. I’m glad Linda Parsons made me get out, because I was planning to spend the whole time writing and editing. My one big regret is that I didn’t spend the money to visit the Biltmore Estate.

The situation is so severe around Asheville, in particular, with roads washed out, even whole towns washed away, that it is still hard to communicate with some people. Information from aid organizations is slow percolating, but I’ve been able to find this link to one group who is collecting donations.

Follow this link to a list of needed items with instructions about collection points:
https://docs.google.com/document/d/1PTFZz8hOvtCE2k2pUlZhA9wcs7SFtSZLYeNZTCPdZg4/edit?usp=sharing

Here’s the United Way of North Carolina, where you can donate directly to the Hurricane Helene recovery fund. https://www.unitedwaync.org/

For up to date news, and lots more photos post Helene, try this link: https://www.citizen-times.com/picture-gallery/news/local/2024/09/29/asheville-nc-floods-relief-efforts-continue-after-helene-devastation/75441983007

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Frankfurter Buchmesse 24

Kasey Rogers and Kim Davis pointing at one of the many bright pink signs at the Frankfurter Buchmesse. This one says "Reading Changes the World"

by Kim Davis

I went to Frankfurter Buchmesse to represent Madville Publishing for the first time this past week. According to Wikipedia, “The Frankfurter Buchmesse is the world’s largest trade fair for books, based on the number of publishing companies represented. It is considered to be the most important book fair in the world for international deals and trading.”

I left the Dallas Fort Worth International Airport on Saturday, October 12 and arrived in Frankfurt on Sunday October 13. It’s a 10-hour flight and you lose seven hours traveling west to east to get there. This is what I wrote that Sunday as I sat for another eight hours waiting for check-in time at the hotel:

“I’m sooooo-o-o tired… I haven’t slept a wink.”—John Lennon

I binged the entire fourth season of True Detective on the plane, the one with Jody Foster and Kali Reis. I knew I should try to sleep, that it would be morning when I arrived in Germany, but I wasn’t tired then. It was afternoon back home. The series was almost as good as the first season with Matthew McConaughey and Woody Harrelson. I was blown away in that storyline by Matthew McConaughey’s performance that spanned 17 years. He displayed an incredible range. This fourth season I just watched with Jody Foster and Kali Reis was good, but I think the strength of this one was the story more than the acting. Don’t get me wrong, the acting was fine, but if the story hadn’t been strong, it wouldn’t have been special.

I spent the entire time puzzling at the piercings in Kali Reis’s cheeks wondering if the two sides connect like a bit with a chain running through her mouth. Of course that sent me on a search for information about Kali Reis. Did you know she was a professional boxer? That would explain why her character gets to beat some men all the way up in the show. It was good to see a bad ass woman taking the fight to the misogynistic bastards. But I liked the resolution. If there hadn’t been a good ending, it would have spoiled the show for me. That’s what happened in the second one. I didn’t see the third. But without a compelling finish, I leave a miniseries feeling disappointed—like I wasted my time.

So, I watched this series while flying over the ocean from Dallas to Frankfurt in preparation for my first trip to the Frankfurt Book Fair—the largest in the world, and the place to be if you want to sell foreign publishing rights. I’m nervous because I don’t know what I’m doing, and I’m sure I’ve already missed a trick or two by not scheduling meetings yet. Still… Steps one and two are completed. I rode the airplane here and found my way to the hotel. Only trouble is that I arrived at the hotel at nine o’clock in the morning and can’t check into my room until four p.m. and I haven’t slept at all. Now I need to try and stay up all day so I can sleep tonight.

The Frankfurter Buchmesse

To say this fair is huge is an understatement. Here are some photos with captions that may give you an idea of what it’s like. We made some great new friends and hopefully some important business connections. As for foreign rights deals? We’ll see. That part of the trip was more of a learning experience!

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Midwest Book Review likes The Monosexual

The Monosexual, a novel by Dean Monti. The cover is on a beige, worn looking background with red lettering for the title and author name and blue lettering for a novel. A pattern of red, pink, and blue blobs in the center is meant to represent sushi.

We have a new review of The Monosexual by Midwest Book Review. (Have we mentioned Midwest Book Review lately? We are grateful to them for always supporting small publishers.)

The Monosexual from Madville Publishing is especially and unreservedly recommended for community and college/university Contemporary Literary Fiction collections.

–Clint Travis for Midwest Book Review

The Monosexual by Dean Monti

Madville Publishing
9781956440898, $20.95, PB, 222pp

https://www.amazon.com/Monosexual-Dean-Monti/dp/1956440895

Synopsis:

The Monosexual by novelist Dean Monti is the story of Vincent Cappellini, an obsessed ultra-monogamist who struggles when his relationship with the love of his life abruptly ends. Twice-burned (once in love and once by the sun) Vincent faces a host of challenges to his self-appointed sense of identity. Sunburn, bad sushi, a Sinatra karaoke contest, and the road rage fury of a woman scorned are but a few of the trials Vincent will endure while facing the ultimate test to his monosexuality — a new woman in his life.

Critique:

Through his remarkably distinctive and narrative driven storytelling style, author Dean Monti raises his original and deftly crafted novel to an impressive level of literary excellence with a riveting and fun read for those with an interest in absurdist fiction laced with dark humor. While available for personal reading lists in a digital book format (Kindle, $9.99), The Monosexual from Madville Publishing is especially and unreservedly recommended for community and college/university Contemporary Literary Fiction collections.

Editorial Note:

Dean Monti started writing at age two, but nothing legible until age five. Since then, his fiction has appeared in several literary journals in print and online. His critically-acclaimed novel, The Sweep of the Second Hand, was published by Academy Chicago Publishers and reprinted in paperback by Penguin. In addition to other novels, he is the author of several full-length and one-act plays and has had works staged in Chicago and Norfolk, Virginia. His short story “Why Dogs Don’t Talk” was adapted as a stage play and short film. Additionally, Monti has also taught creative writing at Columbia College in Chicago and at College of DuPage.

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     Arthur Smith Poetry Prize (2024)

appalachian mountains in north carolina

The Arthur Smith Poetry Prize will open again for submissions on June 1, 2024. We find it hard to believe this will already be our fourth such competition. Read more about the Arthur Smith Poetry Prize.


Accepting Submissions June 1 through September 30, 2024.

Winners will be announced in January 2025

Winning poet receives: a $1,000 advance; a standard royalty contract +10 gratis copies of the book when it is completed.

Finalists will also be considered for future publication.

submit

2024  Final Judge:

Allison Joseph is a chocolate skinned woman and in this picture she wears a bright pink sleeveless top. she has a gentle close-lipped smile, and wire-rimmed glasses. Her dark hair is pulled back.She sits in a natural setting with an old stone wall behind her.

Allison Joseph directs the MFA Program in Creative Writing at Southern Illinois University. She serves as poetry editor of Crab Orchard Review, the publisher of No Chair Press, and the director of Writers In Common, a writing conference for writers of all ages and experience levels.

Her poetry collection, Confessions of a Barefaced Woman (Red Hen 2018), was the Gold/First Place Winner in the 2019 Feathered Quill Book Awards poetry category.Her books and chapbooks also include What Keeps Us Here (Ampersand), Soul Train (Carnegie Mellon UP), In Every Seam (University of Pittsburgh Press), Worldly Pleasures (Word Tech Communications), Imitation of Life (Carnegie Mellon UP), Voice: Poems (Mayapple Press), My Father’s Kites (Steel Toe Books), Trace Particles (Backbone Press), Little Epiphanies (NightBallet Press), Mercurial (Mayapple Press), Mortal Rewards (White Violet Press), Multitudes (Word Poetry), The Purpose of Hands (Glass Lyre Press), Double Identity (Singing Bone Press) Corporal Muse (Sibling Rivalry Press) and What Once You Loved (Barefoot Muse Press).

Preliminary Readers:

Shlagha Borah is a woman with Asian features and long dark hair. She wears a spaghetti-string top and a serious expression in this black-and-white photo.

Shlagha Borah (she/her) is from Assam, India. Her work appears or is forthcoming in Cincinnati Review, ANMLY, Salamander, Nashville Review, Florida Review, and elsewhere. She received an MFA in Poetry from the University of Tennessee, Knoxville and is an Editorial Assistant at The Offing. She has received support for her work from Brooklyn Poets, SAFTA, The Hambidge Center, The Peter Bullough Foundation, and the Virginia Center for the Creative Arts. She co-founded Pink Freud, a student-led collective working towards making mental health accessible in India. Find her on Instagram @shlaghab and X @shlaghaborah.

(photo by Rajdeep Kataki)

Edison Jennings lives in Southern Appalachia, working as a Head Start aide and GED tutor. He holds a Virginia Commission for the Arts Fellowship. His poems have appeared in Kenyon Review, Poetry Daily, Rattle, Slate, Southern Review, TriQuarterly, and elsewhere. His book, Intentional Fallacies, is available at Broadstone Books.

(photo from https://www.towncreekpoetry.com/FALL11/EJ_INTERVIEW.htm)

Competition Guidelines

  • Eligibility: We will be happy to receive work by any poet writing in English. Poems published in print or online periodicals, anthologies, or chapbooks may be included, but the manuscript itself must be unpublished. Original work only; translations are ineligible.
  • Format: Minimum of 48 pages. There is no maximum length, but we expect manuscripts not to be much more than 90 pages. Pages should be numbered with no more than one poem per page. Please include a title page with title only, a table of contents, and an acknowledgments page.
  • Simultaneous Submissions: Simultaneous submissions are acceptable. Please notify Madville Publishing immediately if your manuscript is accepted elsewhere.
  • Multiple Submissions: Submission of more than one manuscript is acceptable, but each manuscript must be submitted separately and include a separate entry fee.
  • International Submissions: We accept international submissions.
  •  Revisions: The winner will have the opportunity to revise the manuscript before publication. No revisions will be considered during the reading period.
  • SUBMISSIONS SHOULD BE BLIND. PLEASE DO NOT INCLUDE AUTHOR NAME ANYWHERE ON THE MANUSCRIPT.
  • Entry Fee: $25
  • Deadline: September 30, 2024
  • Winner will be announced January 2025.