We were there… sort of
(Kim had the pleasure of editing this book and doing the layout and design for it.)
(Michael Gills and Joseph D. Haske read their fiction.)
Madville Publishing will be in attendance at AWP in person this year. We also recorded a virtual panel so you can see a few of us even if you can’t attend in person. Our booth is #1044… near the food court! This page shows our schedule.
We will update here with information about author book signings. We didn’t get that info in in time for the official program listings.
https://www.awpwriter.org/awp_conference/event_detail/21532
T242. Virtual
Thursday, March 24, 2022 – 3:20 pm to 4:20 pm
Publishing with a small press with a limited promotion budget can leave an author feeling adrift and alone when it comes to advertising and promoting their books. Some (who have the resources to do so) hire outside publicists. This panel seeks to answer some hard questions about how to find the right publicist to promote your work and how to gauge your success. What should a publicist cost? How many books will the author have to sell to cover that cost? Is it worthwhile in the long run?
Event Outline: All-About-Publicity-outline.rev2_.pdf
Participants
12:10pm – 1:25pm on Friday March 25, 2022
Michener Center for Writers Bookfair Stage
Hall D & E, Pennsylvania Convention Center, 200 Level
This reading brings together poetry, essay, creative nonfiction, and fiction from recently released or upcoming Madville titles. We’ve invited several of our authors who enjoy performing to read on the AWP Bookfair stage. Each of these talented writers/performers has a new book coming out in time to share at AWP22. They are:
Gerry LaFemina’s poetry collections include Baby Steps in Doomsday Prepping, The Story of Ash and Little Heretic. His essays on prosody, Palpable Magic, came out in 2015 and Kendall Hunt recently released his textbook, Composing Poetry: A Guide to Writing Poems and Thinking Lyrically. He teaches at Frostburg State University and in the Carlow University MFA Program. https://gerrylafemina.com/ His latest collection is creative nonfiction in flash format, THE PURSUIT: A MEDITATION ON HAPPINESS (Madville, Feb 2022)
Mike Hilbig graduated in 2017 from Sam Houston State University with an MFA in Creative Writing, Editing, and Publishing. He lives in Houston, TX and teaches English at the University of Houston-Downtown and at Lone Star College. His new collection of short stories is JUDGMENT DAY & OTHER WHITE LIES (Madville, Feb 2022)
Lee Zacharias is the author of a collection of short stories, a collection of essays, and four novels. Her work has received IPPY silver medals for fiction and nonfiction, two Sir Walter Raleigh Awards, the Phillip H. McMath Book Award, and fellowships from the NEA and the North Carolina Arts Council. Her most recent novel is WHAT A WONDERFUL WORLD THIS COULD BE (Madville, Jun 2021)
Bob Kunzinger is the author of nine collections of essays, including: A Third Place: Notes in Nature, and Penance: Walking with the Infant. He lives in Virginia. His newest collection is THE IRON SCAR: A FATHER AND SON IN SIBERIA with photos by Michael Kunzinger (Madville, Apr 2022)
Pauletta Hansel is a poet, memoirist and teacher who is author of eight poetry collections including Friend, Coal Town Photograph and Palindrome, winner of the 2017 Weatherford Award for best Appalachian Poetry. Her writing has been widely anthologized and featured in print and online journals including Oxford American, Rattle, The Writer’s Almanac, American Life in Poetry and Verse Daily, the Appalachian Journal, Appalachian Review, Cincinnati Review, and Still: The Journal, among others. Pauletta was Cincinnati’s first Poet Laureate, 2016-2018 and for ten years served as managing editor of Pine Mountain Sand & Gravel, the literary publication of Southern Appalachian Writers Cooperative. Read Pauletta’s work and hear her read her own work on her website, paulettahansel.wordpress.com. Her latest collection is Heartbreak Tree (Madville, March 2022)
F252.
This event is a celebration for Madville Publishing authors, past and present. Friends of Madville or Madville authors are welcome.
Friday, March 25, 2022, 6:00 p.m. to 7:30 p.m.
Room 308, Marriott Philadelphia Downtown
For those who do not know, AWP is the Association of Writers & Writing Programs, and their annual conference is coming up:
San Antonio, TX
Henry B. González Convention Center
March 4–7, 2020
[I wrote the following observations following #AWP17 in Tampa, though it feels like I started writing them at #AWP16 in Washington DC. I hope my attempt at sarcasm offends everyone equally, but no one gravely!-KD]
I’ve just attended the 2017 Association of Writing Programs (AWP) conference with some 13,000 students and faculty from writing programs and universities around the United States in attendance. I sat among representatives of small presses in the cavernous hall that housed the book market. Everyone was trying to attract students to their writing programs, authors to their submission pages, and buyers to their books. Meanwhile, a profusion of recent MFA and PhD grads schmoozed and congratulated one another comparing notes about the dismal state of the academic job market and reminiscing about grad school. Many had job interviews in hotel rooms scheduled around the trendy off-site readings and parties, though with the advent of the Skype interview, the formerly nerve-wracking AWP interview is not now the right of passage it once was. Still, the young guns found their old friends and discussed who had landed increasingly rare tenure-track jobs and who was still on the market and spending hard-earned adjunct wages to be there. They compared the climates of their respective universities—politically and meteorologically. They drank too much and slept too little, while seasoned faculty members chaperoned grad students—the target consumer group for the massive book fair and the audience for the panel discussions and readings in and around the conference.
I sat behind a crenellated battlement of books I couldn’t even give away and watched people stream past for all three days of the conference. White male Boomer-aged professors wore sports coats and jeans, grey pony tails and earrings the fashion accessories of choice. The African American tenured men favored bright silks and glistening shaved heads. All wore “cool” more comfortably than their female counterparts, who, apart from the tastefully professional African American women, appeared to be either crones or mutton-dressed-as-lamb. Since I fall on that spectrum myself, I feel qualified to comment. The crones gossiped a little too loudly, hair in awkward tufts, mascara smudged, while the mutton-dressed-as-lamb draped chic, risqué clothing over skeletal frames a little too casually, their entourage of graduate assistants shielding them from direct light.
The newly tenured wore uniforms of respectability, tattoos covered. Button-down shirts and sweater vests for the men and blouses over cigarette-skirts for the women with stockings and sensible pumps. The millenials dressed in predictable gender-blended variations, hairstyles their most obvious concession to fashion. Extravagant undercuts and outlandish color declaring their lifestyle choices. Students showed facial-jewelry, body art, and outlandish clothes, while professors favored short buzz-cuts.
And there were poets everywhere. At off-site readings, I listened to angst-ridden verses about sex—childhood abuse, and low self-esteem. Young poets marveled that anyone would have them and ended in despair. Old poets read about their mortality, exploring the seasons through metaphor inevitably resigning themselves to the inevitable. Veterans read in the staccato rhythm of gunfire ending abruptly. Despite the repetitive themes, the abundance of creative writing programs has brought about a renaissance in poetry, but knowing how difficult it is to sell poetry, I expressed my dismay at this situation to Michael Gills—a seasoned fiction writer and professor in jeans and cowboy boots. He set me straight explaining that, in his view, all these programs obviously turned out far more writers than we need, but each of those new writers is also a voracious reader. It’s a kind of writerly-readerly circle jerk.
At the end of the day, when selecting what to pack for AWP20 in San Antonio March 4-8, remember who the audience will be. And remember what you are there for. If you want to sell books, dress like someone who belongs on a university campus. “Business casual” is always safe, but if something more casual is appropriate for your audience, then wear that. Be yourself.
We can guarantee that the weather in San Antonio, Texas, is warmer than where you come from. But it will be early march. You shouldn’t need more than one of the following: a light jacket, blazer, hoodie, or cardigan. Bring light weight clothes you can layer. We predict that we’ll all start shedding layers by lunchtime.
Generally in March, San Antonio maintains an average daily high temperature between 71 and 76 degrees Fahrenheit (21 to 25 degrees Celsius), while the average low temperature ranges between 48 and 54 °F (9 to 12 °C). 56% average humidity. San Antonio tends to get about nine days of rain most years during the month of March. Be sure to have a look at the forcast a few days ahead of your departure for San Antonio.
It’s our home state, so we decided we had better make a good showing. That is why we pushed out everything we had for Spring 2020, as well as a couple of books we’ve been perfecting. These new offerings cover the full spectrum of what we publish, including poetry, fiction, and nonfiction. (Of course you can see them all to buy or pre-order on our website at MadvillePublishing.com