The Memoir of the Minotaur
by Tom Shachtman
978-1-948692-96-0 hard 25.95
978-1-948692-38-0 paper 18.95
978-1-948692-39-7 ebook 9.99
5½x8½ , 178 pp.
Cover art by Nick Gilley
The Memoir of the Minotaur is the posthumous confessions of the half-man, half-bull of Crete, as offered to an audience of recently-deceased, 21st century fellow souls in Hades’ domain. This book is a satire for readers unafraid of a rollicking good tale involving anatomically-complex beings, unforgivable puns, the champion serial killer of all time, scantily-clad Greek maidens and youths, articulate tyrants, and feminist proto-history leavened with theological impertinence.
The Memoir of the Minotaur shares its form with other popular retellings of the monster narrative such as John Gardner’s Grendel, and the narrative voice has likenesses to the exuberance, bawdiness, and blasphemy of Salman Rushdie and John Barth. Packed with actions both big and small, while containing a breadth of complexity as it deals with themes of power, violence, sexuality, and the role of storytelling, its most endearing quality is the hilarity and absurdity of our classical values interacting with our animalistic cores. Ultimately, the book is riotous.
See what KIRKUS had to say:
Tom Shachtman holds a B.S. in animal behavior, an M.F.A. in playwriting, and has a body of published and produced work that includes eighteen non-fiction books, such as The Day America Crashed, Rumspringa: To Be Or Not To Be Amish, and the latest, The Founding Fortunes; short novels, including Beachmaster and The Eagle’s Claw; books for children, such as Growing Up Masai; and documentaries for ABC, CBS, NBC, and PBS, the most recent being Absolute Zero and the Conquest Of Cold, a two-hour Nova based on his book of the same name. He has also collaborated on a dozen books, among them Whoever Fights Monsters (with Robert K. Ressler), considered the definitive study of serial killers.
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“A romping confessional riff on the classic tale, a portrait of the artist as a young bull. Shachtman’s rolicking prose weaves mythology into a gripping yarn and gives antiquity’s voiceless celebrity monster a soaring human heart.”
—Charles Graeber, NYT bestselling author of The Good Nurse and The Breakthrough.
“A fine read. Exciting, entertaining, witty. Even more, a rare experience. Despite the blood and gore, the book resonates with wonder, and lingers in our minds for weeks afterward. Its conclusions are generous and thoughtful. A ‘classics’ challenge for readers that stuns us with its bravery and humor. I loved it.”
—John Neufeld, author of international bestsellers Lisa, Bright and Dark, and Edgar Allen.