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Fantastic Imaginary Creatures

Fantastic Imaginary Creatures: An Anthology of Contemporary Prose Poems edited by Gerry LaFemina. Cover shows a clay figure painted in bright red and green. The creature has wings and pointy spikes that look like pens coming out of his head, and a big toothy grin.

An Anthology of Contemporary Prose Poems edited by Gerry LaFemina

2023 Acceptances Announced

Anthology publication planned for  Spring 2024.

This is the call Gerry LaFemina put out for this anthology: 

The prose poem is the literary sphinx, the literary chimera, minotaur, gryphon–part one thing, part another and at their best, they’re magical, mythical. Fantastic Imaginary Creatures seeks to collect the best contemporary prose poems that demonstrate the potentiality and plasticity the form allows, previously published or brand spanking new. We’re not looking for short short stories, but rather work that explores the liminal space between story and lyric, the luminous spark of possibility in the form.

And of the many fine poets who answered Gerry’s call, these are the poets and the poems Gerry selected:

Valerie Bacharach“Momento Mori”

Ujjvala Bagal-Rahn

“Just Enough House”
Ned Balbo “O Christmas Tree,” and “That Which We Discard We Also Cherish”
Madeleine Barnes “Key Rock,” and “Self Portrait in My Mother’s Closing Lines”
Michelle Boczek Evory “Absolution,” and “Dislocation”
Rick Campbell “Parable of the Forest Pygmy,” and “Forgetting the Nicene Creed”
Joseph Capista “Room for Error,” “Myth,” and “Song”
Gary Ciocco “Being and Becoming”
TS Coody “Mimesis”
Jim Daniels “With Apologies to the Tom Tom Club,” and “At Last”
Anthony DiMatteo “Every Time”
gary fincke “The Hands”
Jeff Friedman “Giver of Gifts,” “Terrorists,” and “Lost Memory”
Molly Fuller “Home Again, Home Again,” and “Tale of the Flopsy Bunny”
Joy Gaines-Friedler “Daffodils,” “Act 20:14,” “Traveling with the Band,” and “The Children’s Ward”
George Guida “Trip Wire,” and “The story of a Life”
Luke Hankins “A Voice out of the Ruins”
Gretchen Heyer“Pasiphae Answers Questions,” “Missionaries Breakfasted on the Word of God,” and “Jute, Two Inches in Diameter”
Tom Hunley “My Chili Recipe (An Ars Poetica)” and “Questions for Further Study”
Anna Jacobson “This is to That”
Peter Johnson “Vaccination, in the Broadest Sense of the Term,” “Crickets,” and “Nice Socks”
Richard Jordan “Jesus in the Café,” “With Feathers,” and “Mackerel Day”
Elizabeth Kerlikowske “At 45th Parallel, Halfway Between the Equator and the North Pole,” and “Tabula Rasa”
Nina Kossman “Kharkiv”
Gerry LaFemina “Fantastic Imaginary Creatures,” “Happy Pigs,” and “Bad Medicine”
Joseph Lerner “The Black Egret”
Geri Lipschultz “Aphrodite in Manhattan”
Lorette C. Luzajic “Feathers,” and “January River”
Gary McDowell “Prose Poem on the Nature of Things; or, Armchair Philosophy,” and “Another Apocalypse”
Kathleen McGookey “Night Sky with Calculus Worksheet”
Jennifer Militello “Identifying the Pathogen,” “Dear B,” and “Antidote with Attempts at Diagnosis”
Robert Miltner “Wolf Dancing,” and “Hopeless”
Erin Murphy “Ekphrasis,” “Gerunding,” and “Hula Dancer”
kerry neville “Decade”
Robert Perchan “The Unselfish Elfins with their Trusty Hammers,” “At Home with Marlboro Jones,” and “The Orgun Box Junkies”
Christine Rhein “Drone Pilot,” and “Sunday Night Retail”
Jane Satterfield “Latin 121,” and “Abbreviated Inventory”
Katherine Smith “Crossword,” and “Quilt”
Joshua Michael Stewart “Yellow,” and “Book of Love”
Virgil Suárez “Chinese Weather Balloon”
Matthew Thorburn “A Hundred Birds,” and “How it Starts”
Eric Torgersen “My Blindness”
Patricia Valdata “Mayfly”
Doug Van Gundy “Sideshow, Barbour County Fairgrounds, 1975,” and “To Join the Circus”
Elinor Ann Walker “Object Impermanence,” and “Fugue State”
Greg Watson “Why I Live in a Cold Climate”
Cathy Wittmeyer “Max Beckmann, Still Life with Fallen Candles, oil on canvas, 1929,” and “Otto Dix, Horse Cadaver, etching & drypoint, 1924”
George Yatchisin “Leap Year”
Michael T. Young “Quoting Blake to Mother,” and “Sweaty Palms”

About the editor, Gerry LaFemina

Gerry LaFemina’s flash creative nonfiction essay collection, The Pursuit: A Meditation on Happiness, came out in 2022. His poetry collections include Baby Steps in Doomsday Prepping, The Story of Ash and Little Heretic. His essays on prosody, Palpable Magic, came out in 2015 and Kendall Hunt recently released his textbook, Composing Poetry: A Guide to Writing Poems and Thinking Lyrically.

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AWP 2023 Recap

The Madville Publishing booth at AWP23.

We had a wonderful time at AWP 2023 in Seattle

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2022 Arthur Smith Poetry Prize Winners

A photo of poet Linda Ravenswood.

Madville is pleased to announce that linda ravenswood‘s poetry collection, a poem is a house, is the winner of our 2022 Arthur Smith Poetry Prize, judged by Charlotte Pence!

Yiskah Rosenfeld was the first runner-up with her collection Tasting Flight.

We received 52 total submissions. The first round was read by Candance Reaves and Catherine Pritchard Childress, and winners were chosen from a shortlist of amazing work by 

a poem is a house

by linda ravenswood

Winner of The 2022 Arthur Smith Poetry Prize
Upcoming publication date Spring 2024

A photo of poet Linda Ravenswood.

a poem is a house pushes against the borders of poetry to emphasize how all borders are a construct: geopolitical, literary, and personal. Each poem in this outstanding collection reinvents itself, employing a range of forms, such as visual poems and broken poetry cycles, to recreate vivid details of the speaker’s experiences as someone who grew up in California with Mexican ancestry.

Throughout this book, readers experience a state of bardo, a sense of existing between states: between different cultures, between safety and violence, and perhaps most of all, between past and present. Like memory itself, these poems thrive on elision, repetition, and reversal. Take for example an evocative poem placed early in the book: ‘To live at the scene of an accident.’ The two-line poem simple states: ‘To go on living / at the scene of the crime.’ Such sparsity emphasizes the stark reality of the situation and faces it directly without adorned language that could distract from the fact’s horror. What’s more, the book presents readers with four variations of this poem, emphasizing how trauma is not only situated in the past, but something that interrupts the present—and never leaves the body.

One poem tells readers that ‘this is not really a lullaby for the end of the world this is a map to the beginning of the body.’ Such a statement is not a dichotomy, but simply a reality wherein grief and celebration share spaces. a poem is a house is a dazzling accomplishment that presents a new and unique poetic vision.”

—Charlotte Pence, final judge for the 2022 Arthur Smith Poetry Prize, and author of Code

linda ravenswood is a poet and performance artist from Los Angeles and the founder and editor-in-chief of The Los Angeles Press. Her previous books include Cantadora — Letters from California, The Stan Poems, Tlacuilx, X LA Poets, and Hymnal.

Tasting Flight

by Yiskah Rosenfeld

Finalist for The 2022 Arthur Smith Poetry Prize
Upcoming publication date Spring 2024

“A yearning dominates the vibrant poems in Tasting Flight, specifically the desire to be enough. Of course, though, one is always enough. The observant, insightful, and confident speaker in these poems knows this truth intellectually, but searches to internalize such knowledge as in this breathtaking poem ‘Bird Call Koan with Glossary’:

Across the hall I lay in the dark contemplating this, the infinitely expanding universe of what I don’t know. Stars exploding and being born. Moons in our own solar system still uncounted. And yet some things I think I know with certainty: I’m not pretty. I don’t deserve to be loved. 

If I trill my mating call, who will answer me? 

I forget the moon is always whole.

These lines are representative of the well-crafted poetry readers will find in this book, each poem creating scenes with such vivid details, readers feel as if they are with the speaker, perhaps as an adult gazing at the stars or as a child hiding behind the Life cereal box.  Not only are the details engaging, but the form of each poem closely aligns with its subject, be it in the form of a question mark or the dwindling lines in ‘Submission Guidelines.’ All of the poems are deeply rooted in the lyrical tradition, following the switchbacks and curves of a mind always in motion, perhaps contemplating the beauty of moths at night or the intricacies of raising a child. Whatever the subject, Tasting Flight is a book that sings back to the exploding stars.

Yiskah Rosenfeld balances solo parenting with freelance teaching in the San Francisco Bay Area. Her poetry has appeared in The Seattle Review, The Bitter Oleander, Lilith Magazine, Rattle, Cottonwood, Full: An Anthology of Moon Poems, and The Ravens Perch.

The longlist included:

     

      • Only the Finest Track Stars Smoke Newports by Susan Leary

    The shortlist included:

       

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      Pulpwood Queens 2023 Recap

      We had a great time spreading madness at the 23rd annual INTERNATIONAL PULPWOOD QUEENS AND TIMBER GUYS BOOK CLUB READING NATION CONVENTION!

      We were proud to represent the following incredible past and current Pulpwood Queens authors:

      See some of our favorite mad moments below!


      • Author Antonina Duridanova (New Beginnings: From Behind the Iron Curtain to America) dances during the "Hair Ball."
      • Keynote author J. Lawrence Matthews (One Must Tell the Bees: Abraham Lincoln and the Final Education of Sherlock Holmes), author Ruthie Landis (Acting Lessons for Living: Guided Journal), author Kathy Ramsperger (The Shores Of Our Souls), author T.K. Thorne (Behind the Magic Curtain), [Unknown]. [Unknown], [Unknown], author Lara Bernhardt (Red Rain), and author Beth M. Howard (Making Piece) pose for a group photo during the Author Meet and Greet and Book Launch for Anju Gattani's "Dynasties" event.
      • Author Robert Gwaltney (The Cicada Tree) hugs author Laura (Recent book name here) while keynote speaker and author J. Lawrence Matthews (One Must Tell the Bees: Abraham Lincoln and the Final Education of Sherlock Holmes)
      • Madville founder Kim Davis and author Robert Gwaltney (The Cicada Tree) pose together for a photograph during the Author Meet and Greet event. Photo by author and photographer Lee Zacharias (What a Wonderful World This Could Be).
      • Authors Cassandra King Conroy (Tell Me a Story) and Wondra Chang (Sonju) chat during the Author Meet & Greet event.
      • Keynote Author J. Lawrence Matthews discusses his latest book, One Must Tell the Bees: Abraham Lincoln and the Final Education of Sherlock Holmes.
      • Author Antonina Duridanova (New Beginnings: From Behind the Iron Curtain to America) laughs during the "Hair Ball," and is photobombed by Liz Davis' hand.
      • Author Eileen Sanches (Freedom Lessons: A Novel) dances during the "Hair Ball."
      • Madville founder Kim Davis laughs as a patron browses the Madville books available at our table.
      • Keynote author J. Lawrence Matthews, (One Must Tell the Bees: Abraham Lincoln and the Final Education of Sherlock Holmes), and Pulpwood Queens founder Kathy L. Murphy, (The Pulpwood Queens’ Tiara Wearing, Keynote author J. Lawrence Matthews, (One Must Tell the Bees: Abraham Lincoln and the Final Education of Sherlock Holmes), and Pulpwood Queens founder Kathy L. Murphy, (The Pulpwood Queens’ Tiara Wearing, Book Sharing Guide to Life), are photographed laughing together during the Author Meet and Greet and Book Launch for Anju Gattani's "Dynasties" event.
      • Pulpwood Queen's founder Kathy L. Murphy's son-in-law dresses up in a hat, scarf, and glasses and salutes with author Tracy Lea Carnes (The Darlings of Sundance) and a painting of her book cover. Book cover art by Pulpwood Queens founder Kathy L. Murphy.
      • Three Pulpwood Queens atendees take a moment to check in with the outside world and scroll on their phone.
      • Madville Founder Kim Davis wears a sari during the Author Meet and Greet and Book Launch for Anju Gattani's "Dynasties" event.
      • Author Carol Van De Hende shows off her novel, Orchid Blooming.
      • Film crew members author Mark Green, Drew, and R.J. smile for the camera as they watch the convention chaos.
      • Authors Robert Gwaltney of (The Cicada Tree) keynote speaker and author J. Lawrence Matthews (One Must Tell the Bees: Abraham Lincoln and the Final Education of Sherlock Holmes) pose with Kim Davis' daughter, Liz Davis, during the "Hair Ball."
      • Authors Zoe Disigny (The Art of Traveling Strangers), keynote speaker J. Lawrence Matthews (One Must Tell the Bees: Abraham Lincoln and the Final Education of Sherlock Holmes), Carol Van Den Hende (Orchid Blooming), and keynote author Ann Hood (Fly Girl: A Memoir) take a selfie at the Over the Moon” “Hair Ball.”
      • Author Robert Gwaltney (The Cicada Tree) moderates the Book & Film panel with Author/Screenwriter, Tracy Carnes of (The Darlings of Sundance: A Novel) and Pulpwood Queens founder Kathy L. Murphy, who created the cover art for Tracy’s book.
      • Madville founder Kim Davis and her daughter Liz Davis pose with author Anju Gattani and her new book, Dynasties, at the Author Meet and Greet/Launch Party for Dynasties.
      • Author Anju Gattani (Dynasties) dances during the "Hair Ball."
      • Anju Gattani (Dynasties) poses with a bookclub member dressed as a cow during the "Hair Ball."

      We hope you’ll come get MAD with us at Pulpwood Queens next year!

      Find out more and register for 2024’s Pulpwood Queens and Timber Guys convention today!